The one piece I did over the summer. At least it was worthwhile.
Tuesday, September 23, 2008
Monday, September 22, 2008
AP Work
These are the most recent works I have done in AP Studio Art.


The assignment for this piece was to show the relation between objects in the still life usingonly positive and negative space along with surface quality and directional movement. For this piece it was necessary to leave a darker border around the edge of the piece to keep the eye of the viewer from wandering off the page.
This piece was a close-up study of surface quality on a piece by Henry Moore. The section I chose was originally a few jagged lines from a boulder in a mine. The composition seemed uninteresting and unfinished. I employed a technique I learned in a workshop with Frank Shelton, adding and covering what I had done with numerous layers and washes until an image popped out at me.
Sunday, September 21, 2008
Workshops!!!!!!
These are pieces that I made in weekend workshops hosted by Frank Shelton and Andy Saftel. The print is from Andy's and the painting/drawing is from Frank's.


I wish I had pictures of my other works from these workshops. Anyway, the first is pastel, pencil, and I'm sure there's paint somewhere. The print is a photo-etched plate with an image from the depths of my twisted mind.
Painting
From Painting I've found that I don't like acrylic paints as much as I used to. This came from my discovery of the magical medium of oil paint.




- The first image is a watercolor of spheres hanging in the air from strings. The text are stanzas of song lyrics from Coheed and Cambria's "The Running Free". I found the song appropriate since the sphere on the right is snapping off of its string and in a sense "running free".
- The second is a still life project that didn't exactly turn out how I wished it would've. The inset is fron the same still life just a different section that I did not have in my original frame of reference.
- A ribbon captured in its purest essence. Just kidding. I felt like being pseudo-intellectual for a moment. But it is a still life of a ribbon of paper painted in complementary colors using acrylic... This was before my point of revelation...now I'm sounding religious.
- The third is oil on acrylic. I used acrylic for the sunset and oil for the black and white ducks. the aim of this project was simply to use images of an object from our childhood. I think I succeeded.
- The last one is a piece I did at the end of the year painting/cookie party. I used a self portrait of myself and imagery of a car crash and a bottle pouring over it as a sort of anti- drunk driving statement.
Printmaking
I've got a bit more stuff from my printmaking class. We experimented with block printing, photo etching, monoprints, and collage. The last seems random, I know, but you'll see.



This is a block print that is used later on in one of the big prints. This is the first print of the class.
This next print is the first of the two large mono print projects I did. These two monoprints had a common theme. The theme was the intercultural meshing that my Chinese roommate, Ben Yang, and I underwent last year. I learned of the Chinese culture and he partook of the American culture, because he had already lived here for four or five years. I used a background that hinted at an American flag and used imagery of the Great Wall and the previous eagle.


Drawing
These are my pieces from drawing class.


This is a conte crayon still life of an assortment of vases and small ceramics. This is one of my better studies of fabric all though there is very little. I found it tricky to get appropriate value in the dropcloth in back while still hinting at the pattern on the cloth.
At the right is a vine charcoal still life of the head of Dionysus. This is one of the more difficult assignments from the class due to the intricacies of each individual lock of hair in the beard and top of the head.
Art Foundations
Friday, September 12, 2008
Senior Art for AP Studio
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